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Marshall Altman

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Marshall Altman began his music career in the mid-90’s fronting the West Coast rock band Farmer, which was subsequently signed to Aware Records. After several US tours, Marshall found himself drawn more to developing and recording new artists rather than pursuing his own recording career. After a series of recordings with Citizen Cope (resulting in Citizen Cope’s signing on to Capitol Records), Marshall transitioned into the world of A&R – first at Capitol Records then Hollywood Records and finally Columbia Records, where his last two projects as an A & R person were Katy Perry and OneRepublic. Despite his successes inside the label system, the desire for unbridled creativity was too great and in 2005, he left Columbia Records and embarked on a full time career as a writer/producer.

Since shifting into his role as a full time producer and songwriter Marshall has established himself as a writer/producer who can work across virtually all genres of music with acclaimed albums made in the mainstream pop, singer/songwriter, country, Christian, metal, and indie worlds.

Known for defining the emotional currency of the artists he has worked with, his production credits include: Amy Grant, Eric Paslay, Frankie Ballard, Matt Nathanson’s Some Mad Hope (three platinum singles, including “All We Are,” which he co-wrote), Marc Broussard’s definitive album Carencro (on which Marshall co-wrote Marc’s career defining song, “Home”), Brooke Fraser (Albertine), Audrey Assad, Will Hoge, Gabe Dixon, Kate Voegele (platinum single), William Fitzsimmons (iTunes singer/songwriter album of the year in US and Australia), The Almost, Walker Hayes, Rosi Golan (50+ TV licenses), Adema, Matt Wertz, Trevor Hall, Caitlin Crosby, Kim Caldwell, Tom Morello, and many more.

As of late 2018, currents projects in production include Fairground Saints (Sony Nashville), Kenny Wayne Shepherd (Concord), The Josh Abbot Band (Pretty Damn Tough), & Colin Elmore (Sony), as well as several projects in development.

 

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